New-age music is defined more by the use and effect or feeling it produces rather than the instruments and genre used in its creation it may be acoustic, electronic, or a mixture of both. Steven Halpern's 1975 Spectrum Suite was a key work that began the new-age music movement.
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Irv Teibel's Environments series (1969–79) featured natural soundscapes, tintinnabulation, and " Om" chants and were some of the first publicly available psychoacoustic recordings. Paul Horn (beginning with 1968's Inside) was one of the important predecessors. Tony Scott's Music for Zen Meditation (1964) is considered to be the first new-age recording. New-age music was influenced by a wide range of artists from a variety of genres. Many consider it to be an umbrella term for marketing rather than a musical category, and to be part of a complex cultural trend. An article in Billboard magazine in 1987 commented that "New Age music may be the most startling successful non-defined music ever to hit the public consciousness". There is no exact definition of new-age music. Vocal arrangements were initially rare in the genre, but as it has evolved vocals have become more common, especially those featuring Native American-, Sanskrit-, or Tibetan-influenced chants, or lyrics based on mythology such as Celtic legends. New-age music includes both acoustic forms, featuring instruments such as flutes, piano, acoustic guitar and a wide variety of non-Western acoustic instruments, and electronic forms, frequently relying on sustained synth pads or long sequencer-based runs. It is used by listeners for yoga, massage, meditation, and reading as a method of stress management to bring about a state of ecstasy rather than trance, or to create a peaceful atmosphere in homes or other environments, and is associated with environmentalism and New Age spirituality. New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism.
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